Excerpt from Goupil’s Paris Salon of 1896: One Hundred Plates Photogravures and Etchings and One Water Color Fac-Smile
At the same time, we find no reason for surprise at its prevalence. The habit of hasty and incomplete work to which the necessity for giving an account of the Exhibitions before their opening has led in the daily papers, makes all serious criticism impossible. At the Champ de Mars, where the number of works is limited, they have some chance; but at the champs-elysees, where paintings, water-colors.
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