Excerpt from The Elements of Drawing; The Elements of Perspective and the Laws of F sole
His advice was the more sought when his classes at the Working Men’s College began to be talked about. He says of Rossetti, whom he had impressed into the same service, that he was the only one of our modern painters who taught disciples for love of them.2 Ruskin’s own position in the matter was also unique. He was by this time the acknowledged chief among contemporary writers on art; he was the only critic who had the will-perhaps also the only one who has been competent - to translate his principles into practice, and teach with the pencil and the brush the system which he advocated with the pen. He was appealed to by anxious students and amateurs, as also by official Commissions,3 as at once a writer and a practical teacher.
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