•This is the first complete reproduction of this important masterpiece by Eugène Delacroix, one of the major artists of the 19th century •A quasi-facsimile reproduction (same size) of beautiful drawings at an affordable price, accompanied by throrough commentaries •The series aims to present a number of albums with drawings by famous artitsts, all of which are held in the Louvre’’s collections Eugène Delacroix, (1798-1863), France’’s leading Romantic painter, spent the summer of 1845 in Eaux-Bonnes, a little spa on the Atlantic side of the Pyrenees. Struck by the grandiose sight of the mountains incumbent on the Ossau valley, Delacroix reproduced the landscapes - amongst his best - with quick pencil sketches and, in some cases, with watercolors. In the same sketchbook, he drew the traditional costumes of the inhabitants. Finally, upon his return in Paris, alerted by the novelist George Sand, he discovered the Ojibwe tribe. Eleven tribe members had been brought to Europe by American painter George Catlin, and Delacroix portrayed them on several pages of this album in moving sketches. The Carnet des Pyrenées was acquired by the Louvre in 2004 and classified as a ‘’national treasure’’. Contents: Vol. 1: Reproduction (same size) of the Louvre’’s album containing the drawings; Vol. 2, Commentary: Préface, Delacroix aux Eaux-Bonnes et la question du paysage, Le retour à Paris et les derniéres pages, De la vente d’‘atelier au Louvre, Description matérielle, Notes, Bibliographie, Liste des albums de Delacroix conservés au Louvre. Text in French.
