Excerpt from Goupil’s Paris Salon of 1895: One Hundred Plates Photogravures and Etchings and One Water Color Fac-Simile
A fresh element of competition and public interest is supplied by the official admission of various minor works of art, such works, that is to say, as rarely used to be seen, and only when it was possible surreptitiously to override one of the old solemn rules, laid down at the beginning of the Catalogue as though it were the fagade of the Ecole des beaux-arts. The more liberal decision of the Soci t des beaux-arts coincided very happily with a marked revival of Arts and Crafts. It was immediately after 1889, and the beauty of our glass and pottery, our textile and metal works was notorious. Hence.
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